What Section of Hawaiian Fish Painting Honolulu Kesuem of Art

Art museum in Honolulu, Hawaii, United States

The Honolulu Museum of Art

Established	1922
Location	900 South Beretania Street (between Ward and Victoria Streets), Honolulu, Hawaii
Director	Halona Norton-Westbrook
Website	www.honolulumuseum.org
Honolulu Academy of Arts
U.S. National Register of Historic Places
Location	900 S. Beretania St., Honolulu, Hawaii
Coordinates	21°xviii′xiv″Northward 157°50′55″W  /  21.30389°Due north 157.84861°Due west  / 21.30389; -157.84861 Coordinates: 21°18′fourteen″Northward 157°fifty′55″W  /  21.30389°N 157.84861°Westward  / 21.30389; -157.84861
Built	1927
Architect	Bertram Goodhue
Architectural style	Hawaiian
NRHP referenceNo.	72000415[1]
Added to NRHP	March 25, 1972

The Honolulu Museum of Art (formerly the Honolulu Academy of Arts) is an art museum in Honolulu, Hawaiʻi. The museum is the largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single collections of Asian and Pan-Pacific art in the United States, and since its official opening on April 8, 1927, its collections have grown to more than 55,000^[2] works of art.^[3]

Description [edit]

The Honolulu Museum of Fine art was called "the finest pocket-sized museum in the United Statesˮ by J. Carter Brown, manager of the National Gallery of Fine art from 1969 to 1992.^[4] In addition to an internationally renowned permanent collection, the museum houses innovative exhibitions, an art school, an independent art house theatre, a café and a museum shop. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu University of Arts; in 2012, the combined museum inverse its name to the Honolulu Museum of Art.

The museum is accredited by the American Alliance of Museums and is registered equally a National and Country Historical site. In 1990, the Honolulu Museum of Art School was opened to aggrandize the program of studio art classes and workshops. In 2001, the Henry R. Luce Pavilion Complex opened with the Honolulu Museum of Art Café, Museum Shop, and Henry R. Luce Wing with 8,000 square feet (740 m^two) of gallery space.

Collections and holdings [edit]

Mrs. Thomas Lincoln Manson Jr (Mary Groot) 1890, past John Vocaliser Sargent. Oil on canvas (56.06" x 44.25")

The Honolulu Museum of Art has a large collection of Asian art, especially Japanese and Chinese works. The Asian art collection includes more than 20,000 works of art, with galleries defended to Japan, China, Korea, India, Southeast Asia, Republic of indonesia, and the Philippines. The collection is especially strong in Chinese and Japanese paintings, Korean ceramics, Buddhist and Shinto sculpture, South and Southeast Asian sculpture and decorative arts, and textiles from across Asia. The crown jewel of the Asian fine art collection is the James A. Michener Collection of more than 10,000 Japanese ukiyo-e woodblock prints, the 3rd largest collection of its kind in the United States.^[5]

Major collections include the Samuel H. Kress drove of Italian Renaissance paintings, American and European paintings and decorative arts, fine art of Africa, Oceania, and the Americas, textiles, contemporary art, and a graphics drove of over 23,000 works on paper.

The museum'south European and American drove of paintings, sculptures, decorative arts, textiles, and more than xv,000 works on paper, range in date from the Renaissance to the present. Highlights are major Impressionist, Post-Impressionist and early modernist paintings by Georges Braque, Paul Gauguin, Vincent van Gogh, Fernand Léger, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso and James McNeill Whistler. Significant works of art from the 20th century to the present include paintings and sculptures by Lee Bontecou, Alexander Calder, Leon Golub, Philip Guston, Yan Pei Ming, Isamu Noguchi, Nam June Paik, John Vocalist Sargent and David Smith.

The Department of European and American Art has paintings by Josef Albers, Francis Bacon, Edward Mitchell Bannister, Romare Bearden, Jean-Baptiste Belin, Bernardino di Betti (called Pinturicchio), Abraham van Beyeren, Albert Bierstadt, Carlo Bonavia, Pierre Bonnard, François Boucher, Aelbrecht Bouts, Mary Cassatt, Paul Cézanne, Giorgio de Chirico, Frederic Edwin Church, Jacopo di Cione, Edwaert Colyer, John Singleton Copley, Piero di Cosimo, Gustave Courbet, Carlo Crivelli, Jasper Francis Cropsey, Henri-Edmond Cantankerous, Stuart Davis, Edgar Degas, Eugène Delacroix, Robert Delaunay, Richard Diebenkorn, Arthur Dove, Thomas Eakins, Henri Fantin-Latour, Helen Frankenthaler, Bartolo di Fredi, Jan van Goyen, Francesco Granacci, Childe Hassam, Hans Hofmann, Pieter de Hooch, Adélaïde Labille-Guiard, Philip Guston, William Harnett, George Inness, Alex Katz, Paul Klee, Nicolas de Largillière, Sir Thomas Lawrence, Morris Louis, Maximilien Luce, Alessandro Magnasco, Robert Mangold, the Main of 1518, Pierre Mignard, Claude Monet, Thomas Moran, Giovanni Battista Moroni, Grandma Moses, Robert Motherwell, Alice Neel, Kenneth Noland, Georgia O'Keeffe, Amédée Ozenfant, Charles Willson Peale, James Peale, Camille Pissarro, Fairfield Porter, Robert Priseman, Robert Rauschenberg, Odilon Redon, Diego Rivera, George Romney, Francesco de' Rossi (called Il Salviati), Carlo Saraceni, Gino Severini, Frank Stella, Gilbert Stuart, Thomas Sully, Yves Tanguy, Jan Philips van Thielen, Giovanni Domenico Tiepolo, Bartolomeo Vivarini, Maurice de Vlaminck and William Guy Wall.

The collection too includes three-dimensional works past Alexander Archipenko, Robert Arneson, Leonard Baskin, Lee Bontecou, Émile Antoine Bourdelle, Nick Cavern, Dale Chihuly, John Talbott Donoghue, Jacob Epstein, David Hockney, Donald Judd, Jun Kaneko, Gaston Lachaise, Wilhelm Lehmbruck, Roy Lichtenstein, Jacques Lipschitz, Aristide Maillol, John McCracken, Claude Michel (called Clodion), Henry Moore, Elie Nadelman, George Nakashima, Louise Nevelson, Hiram Powers, Pierre-Auguste Renoir, George Rickey, Auguste Rodin, James Rosati, Augustus Saint-Gaudens, Lucas Samaras, George Segal, Marking di Suvero, Tom Wesselmann and Jack Zajac.^{[half dozen] [seven]} The permanent drove is presented in 32 galleries and six courtyards.

The museum traces the history of art in Hawai'i, with a gallery dedicated to Hawaiian traditional arts, art by Hawai'i artists, and art of Hawai'i.

The permanent collection is presented in 32 galleries and half dozen courtyards.

Admission [edit]

The Honolulu Museum of Art occupies iii.ii acres (13,000 grand²) near downtown Honolulu. The museum is open to the public Th through Lord's day. Admission is free to members, children 18 & under and for some events, simply otherwise a fee is charged. Complimentary admission is offered to Hawai'i residents on the third Sunday of the month from ten a.m. until 6 p.thousand.^[eight] Guided tours are offered several times daily.

Hours [edit]

The museum is open: Thursday 10 am - six pm, Friday 10 am - 9 pm, Sat x am - 9 pm, Dominicus x am - 6 pm. Closed Mon - Wednesday.

Doris Duke Theatre [edit]

The Doris Knuckles Theatre at the museum seats 280. Information technology hosts movies, concerts, lectures, and presentations.

Robert Allerton Fine art Library [edit]

In 1927, the Research Library opened with 500 books. In 1955, it was expanded and named for Robert Allerton. The collection includes 45,000 books and periodicals, biographical files on artists, and sale catalogues dating to the beginning of the 20th century. The library is a non-circulating research facility with a reading room open to the public.^[9]

Honolulu Museum of Fine art School [edit]

Teaching has been at the core of the Honolulu Museum of Fine art'due south mission since it opened in 1927. Today the museum serves more than than 40,000 children and adults annually through costless school tours, classes and workshops, outreach programs, activity-filled gratuitous museum days, free lectures, and other special programming held throughout the yr.

The Honolulu Museum of Fine art School (formerly the Academy Fine art Center at Linekona) opened in 1990, and now serves thousands of children and adults each twelvemonth.

The Honolulu Museum of Art School is currently undergoing renovations, and is gear up to reopen in summer 2022.^[10]

Shangri La: Doris Duke Foundation for Islamic Fine art [edit]

Shangri La is a museum for learning about the global culture of Islamic art and design through innovative exhibitions, educational initiatives, public programs, and community partnerships. Through a partnership with the Honolulu Museum of Art (HoMA), visitors may tour Shangri La. Reservations are required.^[11]

Doris Duke (1912–1993) built Shangri La with the assist of American architect Marion Sims Wyeth. Duke's collection of Islamic art was assembled over 60 years.

History [edit]

Anna Rice Cooke (1853–1934), daughter of New England missionaries and founder of the Honolulu Museum of Fine art, in her dedication statement at the opening of the museum on April eight, 1927, said:

"That our children of many nationalities and races, born far from the centers of art, may receive an intimation of their own cultural legacy and wake to the ideals embodied in the arts of their neighbors ... that Hawaiians, Americans, Chinese, Japanese, Koreans, Filipinos, Northern Europeans and all other people living hither, contacting through the channel of art those deep intuitions common to all, may perceive a foundation on which a new culture, enriched past the sometime strains may be congenital in the islands." —Anna Rice Cooke ^[12]

Born on Oʻahu in 1853, Cooke grew up on Kauaʻi island in a abode that appreciated the arts. In 1874, she married Charles Montague Cooke and the two somewhen settled in Honolulu. In 1882, they built a home on Beretania Street, across from Thomas Square. As Cooke's career prospered, they gathered their private art drove. First were "parlor pieces" for their home. She frequented the store of piece of furniture maker Yeun Kwock Fong Inn who ofttimes had ceramics and fabric pieces sent from his brother in China.

The Cookes' art collection outgrew their dwelling and the homes of their children. In 1920, she and her daughter Alice (Mrs. Phillip Spalding), her girl-in-law Dagmar (Mrs. Richard Cooke), and Catharine E. B. Cox (Mrs. Isaac Cox), an art and drama instructor, began to catalogue and research the collection with the intent to brandish the items in a museum. With piddling formal training, these women obtained a charter for the museum from the Territory of Hawaii in 1922, while standing to catalogue the collection. Cooke wanted a museum that reflected Hawaiʻi's multi-cultural make-upwardly. Not bound by the traditional western idea of fine art museums, she as well wanted to showcase the island'southward climate in an open and airy environment, using courtyards which interconnect the galleries throughout the museum.

The Cookes donated their Beretania Street country along with an endowment of $25,000. Their abode was torn down to brand way for the museum. New York architect Bertram Goodhue designed a archetype Hawaiian-mode building with unproblematic off-white exteriors and tiled roofs.^[13] Goodhue died before the project was completed; it was finished by Hardie Phillip. This manner has been imitated in many buildings throughout the state.

On April viii, 1927, the Honolulu Museum of Art opened. There was a traditional Hawaiian approving and the Royal Hawaiian Band, under the direction of Henri Berger, played at festivities. With the opening of the museum came gifts of many pieces, sometimes even entire collections. Additions to the original edifice include a library (1956), an didactics wing (1960), a gift shop (1965), a cafe (1969), a contemporary gallery, authoritative offices and 292-seat theater (1977), and an art centre for studio classes and expanded educational programming (1989). In 1999, the museum created a children's interactive gallery, lecture hall, and offices.^[12]

The original building was named Hawaiʻi'south best edifice past the Hawaiʻi Chapter of the American Institute of Architecture and is registered every bit a National and State Historical site. The museum is accredited by the American Alliance of Museums.

In 1998, extensive renovation began starting with the Asian fly. In September 1999, construction began on the John Hara-designed Henry R. Luce Pavilion Complex, which opened May thirteen, 2001. It includes expanded spaces for The Pavilion Café and The Museum Shop and a new two-story exhibition structure. The Luce Circuitous is named for Henry R. Luce, the co-founder and editor of Time Magazine and other publications. His widow, Clare Boothe Luce, had a residence in Hawaiʻi and served on the museum'southward board of trustees from 1972–1977.

New galleries exploring cantankerous-cultural influences, were renovated and re-opened in the Western Fly in November 1999. A new gallery for Korean fine art was opened in June 2001. New galleries for the arts of India, Indonesia, and Southeast Asia were renovated and opened in January 2002. A new gallery for the fine art of the Philippines named for retiring Museum Director and his wife, George and Nancy Ellis, opened in 2003. In February 2005, the museum opened an Asian Painting Conservation Studio and in December 2005, completed renovation of the Western Fine art galleries.

In 2001, the museum entered into a partnership with the Doris Duke Foundation for Islamic Art and the theater was refurbished and renamed for her in July 2002. In October 2002, the museum opened a new gallery that serves every bit the orientation heart for all tours to Doris Knuckles'southward Honolulu estate Shangri La, which started on Nov 6, 2002.

Due to the 2019–20 coronavirus pandemic the museum laid off one third of its full-time workers & every seasonal worker that worked office time to reduce the spread of COVID-19 on April 17, 2020.^[xiv]

The Contemporary Museum and Honolulu University of Arts Merge [edit]

The erstwhile Gimmicky Museum, Honolulu in Makiki Heights was integrated into the Honolulu Academy of Arts in July 2011. The Academy'southward board of trustees voted in December 2011 to change the museum's public name to the Honolulu Museum of Art as of March 2012, retaining its legal name as the Honolulu Academy of Arts. The former Contemporary Museum, or Spalding Business firm, became the Honolulu Museum of Art Spalding Business firm, the Art Heart at Linekona became the Honolulu Museum of Art Schoolhouse, and The Contemporary Museum at First Hawaiian Center became the Honolulu Museum of Art at First Hawaiian Center.^[15]

Sale of Spalding Business firm [edit]

On July 16, 2019, the museum announced that its board of trustees would be selling Spalding House in an try to "allow the museum to focus its resources on its main campus at Beretania Street."^[xvi]

Interim director and trustee, Mark Burak, stated: "From a fiduciary standpoint, we've taken a very long and hard await at this from all angles. While the Spalding House belongings's beauty and historic significance make it hard to part with, it has also been challenging splitting our attention between two big, resource-intensive fine art campuses, i limited by several factors that have made it difficult to deliver the kind of quality art exhibitions, programs and services nosotros take desired."

Trustee and chairman of the Building and Grounds Commission, Jim Pierce, added: "The committee concluded unanimously that it would be to the long-term do good of HoMA to ready Spalding House for sale. We are fortunate to have a board and employees who carefully evaluate all options for the future and are continually making changes to ensure that we maintain the solid financial ground necessary to fulfill our mission. Making and enabling this determination has been determined to stand for good business organisation exercise for the long term." said Jim Pierce, trustee and chairman of the Edifice and Grounds Committee, in the release.

Following these comments regarding the fiduciary responsibility of the Board, many community members speculated on well-being of the institution. In his editorial, Loss Of Spalding House A Reminder Old Money Solitary Won't Sustain The Arts, Sterling Higa speculated on the financial history of the institution, wide spread urban evolution across Honolulu, and the arrival of new foreign investment. He writes: "Our islands play host to out-of-state wealth. Japanese, Canadian and Chinese money pours in. Silicon Valley billionaires plant roots. Given the context, it seems likely that Spalding Business firm will be sold to a strange buyer, and the grounds will no longer be accessible to the general public. We can pray for conservancy, but salvation may non come up. Better to hope that the new oligarchy is every bit generous as the erstwhile oligarchy, which bequeathed us relics like Spalding House.^[17]

Directors [edit]

• Halona Norton-Westbrook: 2020 to present^[18]
• Sean O'Harrow: 2017 to 2019
• Stephan Jost: 2011 to 2016
• Stephen Petty: 2003 to 2010
• George R. Ellis: 1982 to 2003
• James W. Foster: 1963 to 1982
• Robert P. Griffing, Jr.: 1947 to 1963
• Edgar C. Schenck: 1935 to 1947
• Kathrine McLane Jenks: 1929 to 1935
• Catharine E. B. Cox: 1927 to 1928
• Frank M. Moore: 1924 to 1927

Instruction [edit]

Didactics has always been an integral part of the Honolulu Museum of Art's mission. Working closely with educators and schools, the museum provides tools and experiences to brand visual art a foundational element of learning.^[xix] The museum'due south education programs include guided tours, workshops, gallery classes, and children's fine art activities. School programs include fine art classes for Special Education students and programs for students in Hawaiʻi public schools, which combine museum tours and easily-on experience creating art in studio classes at the fine art center. Its educational resource support educators, collectors, students, members, artists and fine art historians with a small library and a not-reservation collection.

Tours [edit]

Docents deport tours for the public, school groups (pre-school and up), and community organizations. Groups of ten or more persons and classes are requested to schedule tours at to the lowest degree ii weeks in advance.^[20]

Special tours, focusing on temporary exhibitions often include supplementary materials and activities, some especially designed for children. Workshops for teachers and other educators may also exist offered. Theme tours concentrate on a specific country, region, time period, art movement, or groups of artists.

Children [edit]

Gallery Hunt Action Sheets transport visitors through the galleries to find certain works of art that focus on a theme.

Working with the Hawaiʻi Department of Education and Hawai'i public schools, the museum provides art education programs for students beyond the state.

Other educational resources [edit]

The Robert Allerton Art Research Library is open to college-level students, members, and other adults for fine art historical research. It is a not-circulating collection of over 40,000 volumes in a airtight stack system and includes general reference materials, museum archives, artist files, and sale catalogues. Costless Cyberspace access is provided.

Lending Collection: Art objects, crafts and folk arts from around the world, books, and fine art piece of work reproductions are some of the many items available for loan in the Lending Collection. The Lending Collection is available to schools, libraries, and other community organizations.

Luce Pavilion Circuitous [edit]

The Luce Pavilion complex, opened May 13, 2001, includes a new cafe, gift shop, and a two-story building with two 4,000-square-foot (370 chiliad²) galleries. Other facilities include hush-hush storage, loading dock, dry-pipage fire sprinklers, vertical transportation systems for passengers, remote video circulate capabilities, conservation lighting command systems, and climate control organization. The Luce Pavilion Circuitous is completely wheelchair accessible. The projection toll over $ix million.

The complex added 26,000 foursquare feet (2,400 k^two), increasing the museum size to 143,000 foursquare anxiety (thirteen,300 thousand²). The Luce Foundation donated $3.5 million towards the construction of the complex. Ground breaking ceremonies for the complex were held on September 23, 1999, and grand opening was May 13, 2001. The Henry R. Luce Gallery holds traveling exhibitions.

The John Dominis and Patches Damon Holt Gallery [edit]

The second floor gallery of the Henry R. Luce Wing in the Luce Pavilion Circuitous houses works from the museum'due south Arts of Hawai'i drove. The John Dominis and Patches Damon Holt Gallery includes an introduction to indigenous Hawaiian art, early Western views of Hawaiʻi, and the art of contemporary Hawaiʻi-based artists. The gallery reflects irresolute life and landscapes of post European-contact Hawaiʻi as well as its exploration of Hawaiʻi's changing creative traditions as Island communities grew and became less isolated during the 19th and early 20th centuries.

Early views of Hawaiʻi, dating from the concluding decades of the 18th century and the offset of the 19th, by trek artists such every bit England's John Webber and Robert Dampier, France's Auguste Borget and Stanislaus Darondeau, and Russian federation'due south Louis Choris, present images of the Western world'south first contact with Hawaiʻi. Nineteenth-century images past European artists such as George Burgess, Paul Emmert, Nicholas Chevalier, and James Gay Sawkins, who passed through Hawaiʻi, evidence the growth of Western-style communities and an appreciation for the land and bounding main.

The Holt Gallery also features painting, watercolors, drawings, prints and photographs past artists such as Enoch Wood Perry, Jules Tavernier, D. Howard Hitchcock, John La Farge, Georgia O'Keeffe, Ansel Adams, Brett Weston, Roi Partridge, and Jean Charlot. Works past Hawaiʻi-born artists including Marguerite Louis Blasingame, Isami Doi, Hon Chew Hee, Cornelia MacIntyre Foley, and Keichi Kimura reveal the development of an indigenous modernist tradition in 20th century Hawaiʻi, and include today'south contemporary artists including Lisa Reihana, James Jack and Yan Pei Ming. Other regional artists in the collection include Charles Due west. Bartlett, Juliette May Fraser, Shirley Russell, Madge Tennent, and John Young. The John Dominis and Patches Damon Holt Gallery also features space for irresolute exhibitions which focus on the arts of Hawaiʻi.

The Holt Gallery was named for John Dominis Holt and his belatedly wife Frances "Patches" Damon Holt. John Dominis Holt was born to part-Hawaiian parents of aliʻi rank. He learned the religion, customs, mythology, and the Hawaiian language. Past the fourth dimension he was a teen, he was already a genealogist.

Honorary trustee of the museum and married woman of John Dominis Holt, Frances "Patches" Damon Holt was actively involved in many cultural projects. Descendant of a missionary family and a graduate of Punahou Schoolhouse, she received a law caste from Columbia University and was educated in England. Together with her older sister, Harriet Baldwin, she helped to oppose the H-iii project through Moanalua Valley. They too established a foundation to help preserve cultural and environmental values.

HoMA Café & Java Bar [edit]

The café was established in 1969. It had a simple menu and for over twenty years was operated past volunteers. Professional management and staff were gradually added. In September 1999, the café was moved during construction of the Luce Pavilion Circuitous, and more than than doubled in size to iii,100 square feet (290 thou^two). It overlooks a granite fountain with reflection swimming and sculptures by Jun Kaneko.^[21]

The HoMA Café offers casual, contemporary cuisine and refreshments along with a signature island-style hospitality, perfectly complementing the museum feel. The open-air Café is a designated sea-friendly restaurant, committed to operating as sustainably as possible.

The Java Bar is located outdoors in the museum's Palm Courtyard, with a selection of java and tea drinks, beer and wines, and grab-and-go menu items.

There is no museum access accuse to dine at the Café during tiffin hours.

Gallery [edit]

• 

  Tirthankara, India, 10th-11th century

• 

  Tirthankar, India, c. 1118 AD

• 

  Ganesha, Bronze, India, 19th century

• 

  Vishnu with two attendants, Republic of india, 8th-9th century

• 

  Chinese tomb sculpture of farmer, Han dynasty, 1st-2nd century CE

• 

  Canis familiaris, People's republic of china, Han dynasty, 206 BCE-220 CE

• 

  The Star God of Longevity, China, Ming dynasty, 16th century

• 

  Amida, Japan, Muromachi menstruum, 15th century

• 

  Processional Mask of Guardian Deity, Nihon, Heian period, 1086

• 

  Gold bronze statue of Sakyamuni, Korea, Unified Silla Kingdom, 8th-9th century

• 

  Hevajra statue, Nepal, 19th century

See likewise [edit]

• Gustav Ecke
• Honolulu Museum of Art Schoolhouse
• Richard Douglas Lane
• Shangri La (Doris Duke)
• Spalding House

Footnotes [edit]

1. ^ "National Annals Information System". National Annals of Celebrated Places. National Park Service. July 9, 2010.
2. ^ "Refining and Reimagining a Drove". Hawaii Business concern Magazine. August 27, 2021. {{cite spider web}}: CS1 maint: url-condition (link)
3. ^ Ellis, George R., "Statement by George R. Ellis", Orientations, December. 1999, p. 30
4. ^ Sigall, Bob, Several Pieces at Art Museum Have Fascinating Backgrounds, Honolulu Star Advertiser, June seven, 2013, p. B3.
5. ^ Kealamakia, Spencer (Apr vi, 2022). "Allurement Infinite". Halekulani Living Idiot box. {{cite web}}: CS1 maint: url-status (link)
6. ^ Ellis, George R., Honolulu University of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990
7. ^ Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu University of Arts, Tokyo, Asahi Shimbun, 2000
8. ^ "Plan Your Visit". Honolulu Museum of Art. {{cite web}}: CS1 maint: url-status (link)
9. ^ "Robert Allerton Fine art Library". Honolulu Museum of Art. {{cite web}}: CS1 maint: url-status (link)
10. ^ "Fine art School". Honolulu Museum of Art. {{cite spider web}}: CS1 maint: url-condition (link)
11. ^ "Home". Shangri La Museum of Islamic Art, Culture & Pattern. {{cite spider web}}: CS1 maint: url-condition (link)
12. ^ ^{a b} Ellis, George R., Honolulu University of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990, p.10
13. ^ Gurewitsch, Matthew (December 26, 2013). "A Hawaiian K Bout". The Wall Street Journal. p. D5.
14. ^ Fujimori, Leila (April 17, 2020). "Honolulu Museum of Art lays off a 3rd of total-timers, all role-timers and seasonal help". Honolulu Star-Advertiser.
15. ^ Nakagawa, Lynn (December 7, 2011). "Honolulu Academy of Arts to be renamed Honolulu Museum of Art". Pacific Business News. Retrieved 19 June 2014.
16. ^ Wu, Nina (2019-07-16). "Honolulu Museum of Art to sell historic Spalding House in Makiki". Honolulu Star-Advertiser . Retrieved 2019-08-04 .
17. ^ "Sterling Higa: Loss Of Spalding Firm A Reminder Old Money Alone Won't Sustain The Arts". Honolulu Civil Shell. 2019-07-26. Retrieved 2019-08-04 .
18. ^ "ARTnews in Brief: Honolulu Museum of Art Names New Director—and More than from October 31, 2019". ARTnews. 10/28/2019.
19. ^ "Educators". Honolulu Museum of Art. {{cite web}}: CS1 maint: url-status (link)
20. ^ "Tours". Honolulu Museum of Art. {{cite web}}: CS1 maint: url-status (link)
21. ^ "Cafe". Honolulu Museum of Fine art. {{cite web}}: CS1 maint: url-status (link)

References [edit]

• Ecke, Gustav (1965). Chinese painting in Hawaii, in the Honolulu Academy of Arts and in private collections. Honolulu: Academy University of Arts.
• Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990.
• Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000.
• Honolulu Academy of Arts, Academy Album; A Pictorial Selection of Works of Fine art in the Collections, Honolulu, Honolulu Academy of Arts, 1968.
• Honolulu Museum of Art, Honolulu Museum of Fine art Collection Highlights, Honolulu Museum of Fine art, 2016 ISBN 9780937426913
• Little, Stephen, Visions of the Dharma, Japanese Buddhist paintings and prints in the Honolulu Academy of Arts, Honolulu, Honolulu University of Arts, 1991, ISBN 0937426148

External links [edit]

• Official website
• Online gallery

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Source: https://en.wikipedia.org/wiki/Honolulu_Museum_of_Art

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